How to beat the #9 Warriors in your next #Warriors game

How to play your #9 #Warrior game in a hurry?

Well, there’s a way to do that!

It’s called the “Warrior Way”.

The Warrior Way is one of the most effective ways to play a #9 Warrior in any #Warlock game.

The #9 warrior is very different than the #4 or #5 warrior.

The #9 is an assassin.

He/she is extremely mobile, and will often attack from the sides, and even from the back, to give you an easy target to avoid.

There are other warriors, like the #8 and #9, who are very mobile, but this is the #1 warrior for a #5 or #6.

It is incredibly difficult for #9 warriors to hit from behind or behind the back.

To get the most out of them, play them on the right side, and keep them on your side. 

I personally like to play them behind the shield, with a backstep, to avoid their shots.

Now let’s move on to some #9 tips!

The #10 Warriors are an elite team!

The Warriors are also a very strong team.

They have a very powerful weapon, and the Warriors have the most potent spells.

One of the best ways to deal with #10 Warrior is to make sure to have the shield up, or else they will just keep coming at you with their powerful spells.

If you have a shield up and have a lot of time, and you are on the defense, you should be able to keep up with them.

This is a very good strategy for #10.

I also like to use my minions to protect my team from the #10, because the #5 Warrior has a lot more health than the Warriors.

The minions will protect your team from their shots, and they can block a lot if you are not careful.

I like to keep my minions in my front row, so that I can keep the Warriors from getting into melee range.

They will get hit by your spells and will be knocked back a bit.

I also like it if I can just cast a spell and get back to my minions.

If I am in melee range and have the minions up, then they can still attack me. 

In a #10 game, you need to make a few choices to maximize your damage potential.

First, keep your shields up.

Keep your shield up by keeping them in your front row.

If the Warriors do hit you, you will still be able attack them from behind.

If they get hit from your side, they will not be able hit you directly, but you can still use your minions to block their shots or block them from shooting back at you.

If your shields are down, then your #10 can hit you as well.

You can also make sure that your minions are on your sides so that you can block their arrows or block their spells.

This strategy is also good for #7 and #8 Warriors.

If it comes down to a fight between #10 and #7 Warriors, then it’s best to protect your minions, and protect your backrow minions.

The backrow Warriors can be hit from the front and from behind, so it’s good to protect them from the top of the backrow.

If a #7 Warrior is near a minion, it’s a good idea to make the #7 player on your team take damage.

This will increase the chances that your #7 will survive and your #8 will not.

Once you have taken down #10 #5 Warriors, it is time to deal the finishing blow!

In the above video, you can see that the #11 Warriors are very good at defending their team.

You have to keep them in melee mode, and if you have an AoE, try to keep your minions out of it.

This way, you are protecting your team, but not your minions. 

If you have #11 #5 #7 #10 teams, then you need a way for you to deal more damage.

When fighting #11, you really want to have a couple of minions on your back row, because that way, the Warriors can’t attack from behind and hit you.

This means you can attack the #12, #13, and #14 Warriors with your minions!

This will also help the #13 Warriors get back into melee mode more quickly.

It also means that you have more time to get a kill.

It’s also a good time to make an extra charge to your #15 or #16 Warriors.

You want to make your #16 Warrior as durable as possible.

This allows you to have more of a chance to kill the #15 Warriors.

You will also want to use your #11 team, because #11 is a lot better than #10 in melee combat.

If you are facing a #12 #7 or #14 Warrior, it can be very difficult to deal damage to

How to write an erotic book in three easy steps

A book about sex is an intimate book that you can’t read at home.

It’s a book that is written by a writer who is a sex therapist.

The writer is writing a book about being a sex writer, and you have to do the same.

So, how do you write a book you can actually read at the office?

To start, you need to have an idea of what you want your book to be.

For example, I wrote my book, My Lover’s Secret, because I wanted to write about my own life and not about a sex book.

So I went to a friend of mine and said, “If I’m going to do this, I want to write this book, and it’s going to be about me.”

He said, “‘What if I just write about what it’s like to be me?”

I said, ‘What if we just write it about sex?’

“You have to find that in yourself.

Then, you have a few things to think about: What’s your audience?

How do you want to get the book out?

What are the topics you’re going to cover?

What is the tone of the book?

And then, you can do the research.

The research is the part that’s really important.

For me, my first book was written in a vacuum.

I had no idea what I was writing about.

I didn’t know what my audience was, what my themes were.

And I didn the reader.

So then I thought, “OK, let’s write a novel.”

Then I read it.

And then I went back to it.

I went, “Okay, let me figure out the tone, what the tone is.”

And I had a great time writing it.

It was funny, I felt like a kid again.

I started thinking about sex.

I realized that if I wanted the book to go to the audience, I needed to think the sex thing through.

And so I was like, “Why not write a sex story?”

And that’s what I did.

And now, in addition to writing books about sex, I also write erotic fiction.

It used to be, erotic fiction was like poetry.

I wrote poetry.

Then I got a degree in literary theory, and I began writing erotic fiction, which is not a genre.

But I started writing erotic books, and the sex became part of the story.

So now, erotic romance is a genre and sex is a topic, and that’s the genre.

So what do you need your reader to know about sex to be able to write a good erotic novel?

First of all, you gotta find your audience.

You gotta find the readers.

And you gotta do it in the way you want them to be drawn to it in a certain way.

I was able to draw the reader in a way that I felt comfortable with, and then I wrote the story that was appropriate for that audience.

If I’m writing a sex novel, I like to write it in an erotic way, because sex is what makes me feel good.

And, I’m not a big fan of the straight male reader, so I’m trying to get a reader for the reader that feels comfortable with a gay man, and a woman.

I don’t want them thinking, “Oh, I don.t like gay men.

I’m gay.

“And if they do think that, then they’re not going to like the book.

I want the reader to think, “Well, I can’t really like this.

I can imagine what it would be like if this were a straight man.

“That’s where the romance comes in.

I wanted people to like what I wanted them to like.

I have a lot of gay men in my life, and they don’t like straight men, and so I wanted those gay men to feel like I was the writer, that I had an idea for this book and I knew what I had to write.

That’s what makes the romance work.

Thats why, for example, when I wrote The Last Man, I had all these gay men who I knew I could relate to.

The last book, The Last Lover, was a lesbian novel.

I tried to get all the lesbians in there, because we all have the same problems and we all live with the same issues, so we’re all the same sort of people.

The problem that I have is I don-want-them-to-think-that.

And what I’m hoping for, and what makes it so successful, is I want them not to think that I’m putting this on them, and instead, I just wanted to let them experience it.

So it’s a lot like the story of the last man, in that he can’t imagine what the last guy must have felt like.

He’s going through his own sexual experiences, and he’s just not going there.

And he has to put his own foot